Bachata - The Music of Bitterness

The word ‘bachata’ has gone through many transitions, meaning different things at different periods of Dominican history. It started out as just a word designating traditional guitar music, although in the 1960s it was used to label romantic guitar music. A ‘bachata’ was also a generic label for gatherings that took place at informal Sunday afternoon parties where guitar-based groups would play for casual recreation. It was also music that played a large role in entertainment in cabarets (which were actually brothels) and it is only recently that the stigma attached to word has been lessened.

With the death of Rafael Trujillo in 1961, the music – then often called ‘bolero compensino,’ made its way to the capital of Santo Domingo along with a multitude of countryside compensinos that had been living in squalor during the dictator’s reign.

There the music changed from romantic boleros to stories about jealousy, rivalry, fights, poverty and life led in the barrios. It’s not surprising that bachata is equated to the Dominican version of the blues; with lyrics that reflected such dire and troubled lives, bachata became known as the music of bitterness or sorrow.

Modern bachata can be dated to sometime in the 1980s. At the time, bachateros were singing lyrics full of sexual innuendo and double entendre. In fact, bachata’s first superstar, Blas Duran, was king of this type of lyric. Duran simplified the music, making it easier for dancers and added electric guitar to his song “Consejo A Las Mujeres” in 1987. The tune became a huge hit, paving the road to bachata’s acceptance by a much wider segment of the population.

By the 1990s, bachata evolved the way music is prone to evolve, mutating and fusing with other genres. In the case of bachata, fusion occurred most often with the country’s dominant genre, merengue.

It was artists like Anthony Santos and Luis Vargas that, during this decade, focused bachata’s themes to the romantic, so much so that by the 1990s the genre dealt almost exclusively with love, most often unrequited or disappointed love.

Monchy (Ramon Rijo) and Alexandra (Alexandra Cabrera de la Cruz) started singing together in 1998 and their complimentary voices together with some clever pop-style arrangements made ther albums and international tours huge hits. In the process, it opened the door to an appreciation of bachata by non-Donimican Latinos.(It's just been announced that the duo is breaking up -9/08).

Bachata originally reached the level of popularity that it enjoys today in New York rather than in the Dominican Republic, embraced by a Dominica migrant population that was less class conscious and eager to embrace the music of home. Influenced by rock, R&B and modern popular genres, bachata remains a dominantly romantic music.

If you're interested in a first-hand examination of the history of bachata, told by the artists that were instrumental to the genre's rise to international prominence, Luis Vargas' Santo Domingo Blues is a film not to be missed.

In the meantime, here are some representative albums that will give you a taste of the 'music of bitterness.'

Jose Manuel Calderon

• Jose Manuel Calderon (1989, 2006)
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Blas Duran

• Estelares de Blas Duran (1997)
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Anthony Santos

• El Mayimbe de la Bachata(2005 )
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Luis Vargas

• Todos Exitos(2004)
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Monchy & Alexandra

• Exitos y Mas ( )
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